Durant seemed perplexed by it all. After the series, he willingly sang Boston’s praises.
Durant and Antetokounmpo enjoy similar statures in the N.B.A. They are both virtuoso artists. But they work in different mediums. If Durant is a painter with a palette of fine watercolors, Antetokounmpo is a sculptor wielding a mallet and a chisel.
If Sunday was any indication, the physicality of Antetokounmpo and the rest of the Bucks’ roster could represent a key difference between the first and second rounds for the Celtics.
When the Celtics tried to funnel Antetokounmpo this way or that, he simply skipped around them, a sports car swerving through traffic. If Boston’s defenders — large men, all of them — tried more physical methods to throttle him, they bounced feebly off his body.
Midway through the fourth quarter, the Celtics appeared, for once, to corral Antetokounmpo into a dead end. Looking around and realizing he was trapped — “I’m going to get stuck,” he said he told himself — he flipped the ball off the backboard and snatched it out of the air again for a two-handed dunk over Jayson Tatum’s head.
“That’s pure talent, pure instinct,” Budenholzer said. “He’s a great player. He does things that are unique and special and timely. That’s one of those plays where you’re just happy he’s on our side.”
More important than one superstar’s solo work, though — and another potentially crucial difference between the circumstances of Durant and Antetokounmpo — were the contributions of Milwaukee’s supporting cast.