“Every guy’s got to have a winning record, and every guy’s got to have something TV’s going to approve of,” Joyce said. “That’s the drawback. Every fight, he has to get up for it, just as his opponents will. In their mind, they’re fighting Muhammad Ali, and they’ll get all the accolades if they beat Ali’s grandson.”
Where Ali Walsh’s career heads isn’t clear, even to him and his handlers. Arum praises Ali Walsh’s work ethic, and commitment, but recognizes the long odds against winning a world title.
“He’s a work in progress,” Arum said. “Are we optimistic? Yeah. But we’re also realistic.”
Ali Walsh, who hopes to embark on a post-boxing film career, likens himself to Adonis Creed, the on-screen son of the fictional boxer Apollo Creed and the protagonist in the “Creed” film franchise. Apollo Creed, the fleet-footed, fast-handed, trash-talking heavyweight champion in the “Rocky” movies, is based on Ali, whose win over Chuck Wepner prompted Sylvester Stallone to write the screenplay.
And in the first “Creed” film, Adonis fights in unsanctioned underground fights, not because he needs to — he has a comfortable life and an office job — but because he wants to settle some unfinished family business. For Adonis Creed, the goal was a world title. For Ali Walsh, it’s to fight well enough to feel that his grandfather would be proud.
“For me, success is legacy,” he said. “That can be done without titles. That can be done without any wealth. I’ll know when I’ve done that. Once I feel proud and successful, I’ll know.”